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DR. ANDREI LUCIAN DRĂGOI – A MUSIC CATALOG OF DR. DRĂGOI’S ORIGINAL COMPOSITIONS AND PUBLISHED TRANSCRIPTIONS. My musical catalog can also be found on Research Gate platform, in its updated version: https://www.researchgate.net/publication/328352315 The latest variant of this music catalog is always available on my personal website, where it is periodically uploaded: http://dragoii.com/ALDragoi_RG_music_catalog_latest.pdf #DONATIONS. Anyone can donate for dr. Dragoi’s independent research and original music at: https://www.paypal.com/donate/?hosted_button_id=AQYGGDVDR7KH2
2019 •
Popular Music Worlds, Popular Music Histories
Conference Proceedings: IASPM 2009. "The Music of Exil of Mikis Theodorakis: the Eternal Voice of Freedom..."2009 •
In Greece, one of the consequences of the World War II was the onset of the Civil War. Conflict between the Right and Left wing parties was running high. Having been defeated the leftists were obliged to go into exile; among them was the Greek composer, politician and philosopher Mikis Theodorakis. However, his exile did not prevent him from continuing his musical and political activities. On the contrary, he was very productive and composed many musical works, such as “The Songs of Exile A’”, the “First Symphony” etc., during his incarceration. In 1949, after the end of the Civil War, he was liberated but his fate was to reserve for him a new period of exile. Almost twenty years later, during the Dictatorship of Colonels (1967-1974), his lack of freedom made his will to struggle stronger and so, he composed new musical works, among them: “The Songs of Exile B’”, “The Songs of the Struggle”, “The Sun and the Time”, the last one based on his own poetry. The aim of this paper is firstly, to examine the general historical and social context and the specific conditions which gave birth to these musical works of Mikis Theodorakis, and secondly, to highlight, through a specific poetical and musical analysis (prosody, melody, rhythm, harmony…), their diachronic value.
2011 •
Due to technical developments in computer-based sound editing, the inclusion of imaginary spaces in electroacoustic music has been possible for quite some time. Imaginary spaces are those that are not perceivable in reality. These spaces arise when one alters the acoustic features or spatial indicators of the space so much that its space impression seems unrealistic or imaginary. In the formation of imaginary spaces, and even in the stimulation of the listener’s imagination, electroacoustic music provides a degree of control that is superior to instrumental music. Electroacoustic music is thus suitable in many contexts — for instance, virtual reality computer games and film. Electroacoustic music also provides composers with flexibility in the formation of abstract ideas and the development of new musical languages based on sound metamorphosis. Such an art enables sounds — with unknown tone colours, unrealistic space impressions, and abstract contexts — to detach listeners from the ...
This paper is a portfolio/catalog of my original graphical works and continues our familial activity in visual arts (listed in the chronological order of their creation) [1]. Each graphical work is presented as a table containing not only that piece but also important information on its creation: the title, the approximate date of its creation, the paper size, and the graphical technique used plus various observations and explanations on that work. Approximate date of creation (and my age then): Paper size: A4 (portrait/landscape) The graphical technique used: Various observations and explanations on the work: ** The graphical works contained in this portfolio/catalog, listed in the approximate chronological order of their creation. * [1] Approximate date of creation (and my age then): 2001 (19 years-old) Paper size: A4 (portrait) The graphical technique used: Chemical pencil and spread dust of such chemical pencil Various observations and explanations on the work: The central motif is a recorder (a motif which is used to build the harp, the pan flute emerging from the piano keys etc). The background scene contains many other instruments (like the piano, guitar, harp, cello, balalaika etc) and a large human hand (with instrument-shaped fingers) playing the keys of another mountain-like keyboard from the right-side (diametrally opposed to the one from the left-side of the picture). #DONATIONS. Anyone can donate for dr. Dragoi’s independent research and original music at: https://www.paypal.com/donate/?hosted_button_id=AQYGGDVDR7KH2
MUS130 - University of Florida 2001
oggetti II (2021), written between November 17 and December 7, 2021 for the TACETi Ensemble and Thailand New Music and Arts Symposium, is the second work in a larger cycle exploring concise musical objects, gestures, and formal constellations. Over time, my compositional process has become increasingly introspective and critical—thus, oggetti II is an attempt to re-capture the spirit of my earlier works with a more spontaneous and economical nature. oggetti I (Omaggio a Sciarrino) for wind quintet and antistasis for Ensemble Nikel were composed nearly simultaneously in a 10-day period during the summer of 2014 in NYC. Many concepts and compositional devices are shared, but not musical materials. antistasis, meaning opposition, is a rhetorical term for the repetition of a word or phrase in a different or contrary sense. This was poetically translated through the repetition of a small number of musical gestures, or objects, continually recurring and recontextualized so as to contribute to the composite in different ways. oggetti I and now oggetti II both function in a similar manner, drawing upon extremely limited materials reconfigured in various ways, something like a musical jigsaw puzzle.
Educacio I Cultura Revista Mallorquina De Pedagogia
Evaluación de necesidades desde la consulta a expertos como instrumento de planificación educativa2001 •
Íconos - Revista de Ciencias Sociales
Estratégia Saúde da Família no Brasil; uma análise da sua aplicabilidade2017 •
2014 •
Jundishapur Journal of Microbiology
Assessment of Chloroplast Expression Factors in Escherichia coli2013 •
Medicina y Ética
Distribución ética de recursos, cuidados paliativos y otros aspectos bioéticos de relevancia en tiempos de pandemia en México2022 •
Seminars in Vascular Medicine
Homozygous Familial Hypercholesterolemia and Its Management2004 •
Perspectivas em Ciência da Informação
Gestão da qualidade da informação no contexto das organizações: percepções a partir do experimento de análise da confiabilidade dos jornais eletrônicos2008 •
2018 •
BMC Bioinformatics
An algorithm for chemical genomic profiling that minimizes batch effects: bucket evaluations2012 •
Journal of Medical Virology
Convalescent plasma for the treatment of patients with severe coronavirus disease 2019: A preliminary report2020 •
Human Pathology: Case Reports
Stromal lipofuscinosis of the seminal vesicle: Incidental finding in two patients treated for prostatic adenocarcinoma by prostatectomy and cryotherapy2018 •
Journal of Southern African Studies
As Guerras de Libertação e os Sonhos Coloniais. Alianças Secretas, Mapas Imaginados2014 •
2016 •
Dental research journal
Comparative investigation of primary stability of four different dental implants in low-density bone model2019 •
Biblioteca Central da Universidade de Brasilia eBooks
Neuro-Fuzzy Data Normalization Applied for Impedance-based SHM to the Oil & Gas IndustryUniversity of Minnesota Press eBooks
1955-1960, from the Workers' Struggle Against Bureaucracy to Revolution in the Age of Modern Capitalism1988 •
Andrei Lucian Drăgoi (Dragoi)